The project is led by Dr Olga Kich-Masłej from the Department of Polish-Ukrainian Studies and is implemented in cooperation with Dr Katarzyna Jagodzińska from the Institute of European Studies and also the head of the Europa Nostra Hub, as well as the Hub team. The project encompasses three study tours to the regions of Nadsanie, Lemkivshchyna and Podlasie, which result in the recording and gathering of materials for the Community Archive for Heritage Activism in Central and Eastern Europe and a series of English-language audio features (podcasts).
Scant attention is paid to Ukrainian heritage in the literature on the state of cultural heritage preservation of the post-migration areas of south-eastern Poland, as well as in the country’s public debate. Although since 1989 this topic has been discussed more often and openly, and knowledge on this area has significantly increased, the issue of Ukrainian heritage is still not sufficiently present in scientific and journalistic narratives as well as in the practices of public administration in the border regions of Poland.
Within the current borders of Poland, there are over a thousand post-Ukrainian locations, whose tangible and intangible heritage has been destroyed, purged from public awareness and simply forgotten, becoming practically ‘transparent’. Sites which despite their ongoing destruction, have remained visible in the cultural landscape of post-migration areas, have been often labelled as ‘difficult heritage’. In the period preceding World War II, over five million representatives of the Ukrainian national minority lived in Poland, while around 700,000 remained within the borders established in July 1944. Ukrainians in the areas of Podlasie, Hrubieszów, Nadsanie, Boyko Region (Boikivshchyna) and Lemko Region (Lemkivshchyna) were not an immigrant population. The area in which they lived naturally constituted the Polish-Ukrainian borderland.
Polish and Ukrainian cultures permeated each other, and their representatives, while subject to the influence of non-native culture, simultaneously strove to maintain their own national identity. The new border and future directives dramatically changed the lives of these 700,000 Polish citizens, of whom almost 500,000 were displaced in 1944–1946 to the USSR and 150,000 in 1947 as part of Operation Vistula, to the western and northern territories of Poland.
In the mid-1940s, when the processes of forced displacement ceased, three processes and their effects overlapped: 1) the rapid destruction of predecessors’ accomplishments; 2) a clash of cultures; 3) the building of a new political system from scratch, which contributed to the destruction primarily of the intangible heritage of so-called Polish Ukrainians.
Settlement of the areas in south-eastern Poland by immigrant populations, a systemic cut-off from the communication and cultural routes that had functioned here for centuries and, above all, from the knowledge of the heritage to date, as well as the reduction of these areas during the communist period to the function of a border zone operating under special supervision, have all left the borderland struggling to express its sense of local identity and the impossibility of putting down roots.
1) Nadsanie region
Subjects addressed in this region:
– The Ukrainian House in Przemyśl – “a house for everyone”, history and the present (Igor Horków)
– Ukrainian musical folklore of Nadsanie (the bands Krajka and Krajeczka performing original musical folklore of Nadsanie, while the group HrayBery focuses primarily on dance tunes (Cossack dances, mazurkas, polkas, and waltzes) reconstructed from archival recordings made by Ukrainian researchers in the Ukrainian lands
– Ukrainian folk costume of Nadsanie (Maria Tucka and the Pearls of the Borderland collection)
– Ukrainian papercutting of Nadsanie (Maria Mryczko and papercutting projects implemented as part of the activities of the Ukrainian House)
As part of the project cooperation was established with the following organisations and groups in the region: Ukrainian House in Przemyśl (director Igor Horków), Traditional Singing Ensemble Krajka (director Tatiana Czarna-Nakonieczna), Perły Pogranicza [Pearls of the Borderland] (section dealing with the traditional costume of Nadsanie – Maria Tucka); Fundacja odrodzenia, badań i rozwoju dziedzictwa kulturowego ziemii przemyskiej [Foundation for the rebirth, research and development of the cultural heritage of the Przemyśl region] “Strywihor”.
13th episode of the “Ukraine Heritage Spotlight”: NADSANIE
2) Lemko region
Subjects addressed in this region:
– Activities aimed at protecting and promoting the cultural heritage of Lemko region conducted by the NOWYCIA Foundation, founded by Stefania and Michał Markowicz; Nikifor’s paintings in the collections of Michał Markowicz (Michał Markowicz NOWYCIA Foundation);
– Heritage of the village of Łosie; ointment-making; Lemko tradition of Watra; activities concerning the protection of the heritage of Lemko region conducted by the Lemko Union in Poland, identity problems of Lemkos (Wasyl Szlanta)
– Lemko language (Anna Czuchta)
– Musical folklore of the Lemko region (Julia Doszna – Lemko singer)
– Stonemasonry (Szymon Modrzejewski, Magurycz Association)
– Cuisine (traditional Lemko cuisine – Grażyna Betlej-Furman, Swystowy sad in Ropki; Anna Czuchta – Majsternia Karpat in Sękowa)
– Lemko ‘kryvulka’ (Anna Dobrowolska, Professor Robert Andrzej Dul)
As part of the project cooperation was established with the following organisations in the region: Lemko Union, NOWYCIA Foundation named after Stefania and Michał Markowicz, Magurycz Association, Majsternia Karpat, Agrotourism Farm “Swystowy sad” in Ropki.
3) Podlasie region – study tour scheduled for September 2024
