In January 2026, the team working witg the Europa Nostra Heritage Hub in Kraków started the second stage of their project to map the non-governmental heritage sector across Europe. This project is being carried out as part of the European Heritage Hub (EHH) consortium, which is led by Europa Nostra. The International Cultural Centre is managing the project activities, with communication support provided by the Society of Friends of Kraków History and Heritage.
read moreThe popularity of the Schindler Factory – a branch of the Museum of Kraków – which opened 15 years ago, has since led to the creation of a new museum at the nearby KL Plaszow concentration camp. How can the two museums complement each other, and how is it that the KL Plaszow Holocaust memorial site went for so long without being properly commemorated? Dr Katarzyna Jagodzińska meets with Monika Bednarek, director of the KL Plaszow Museum, as well as Bartosz Heksel, manager of the Schindler Factory branch of the Museum of Kraków.
read moreFor this episode of Heritage Hour we are in Nowa Huta – the industrialised, socialist-realist city established in the late 1940s, acting as a proletarian counterweight to the seemingly snobbish and intellectual city of Kraków. Over seven decades later, and Nowa Huta’s sprawling steelworks have all but disappeared, the district is one of the greenest in Kraków, and new challenges await. While the city is on the Polish historical monuments register (designated as a pomnik historii), it now has a chance to promote itself further by applying to UNESCO. But is such a heritage label what Nowa Huta really wants, or needs?
read moreIn this episode of Holistic Heritage, we open our ears to the sounds of heritage. Is sound heritage? Sound is inherent to every building, every object. A wind which whistles its way through a church door, the bustle of people on a market square, the echo inside a church or even farm machinery harvesting the year's crops...
read moreIn this episode of Holistic Heritage, we look at ongoing negotiations between preserving the old and allowing new architecture in World Heritage Cities. The implementation of new architecture in World Heritage City Areas is a challenge. What is allowed and what needs to be negotiated? What is the range and limit of these negotiations? Isn’t it better to build new somewhere else, leaving protected areas as they are?
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